Summary
Music, as one of the most preeminent European artforms that has impacted worldwide cultural heritage, has an intrinsic value enriching our lives. However, music manuscripts frequently remain private, unshown, or unexploited because they are only available as printed or handwritten in local archives.
REPERTORIUM aims to: 1) to provide a technological platform for curating databases of mediaeval and classical European art-music works, linked to other relevant existing databases around the world and fed by automated manuscript digitisation and music information retrieval techniques based on Artificial Intelligence (AI); and, 2) leveraging the above technology to create state-of-the-art audio recording and instrument separation technologies (AI-based, stochastic signal processing, and ambisonics spatial audio) targeted at music education institutions (conservatories), professionals (musicians and orchestras) and the public (streaming services).
Combining a novel digitisation tool that leverages AI and Deep Learning solutions to perform Optical Music Recognition and Music Information Retrieval across multiple music datasets opens valuable solutions to problems affecting music businesses while efficiently preserving and rendering accessible European musical heritage. Thus, it is possible to provide cost-effective solutions for immersive streaming and virtual reality experiences by leveraging Sound Source Separation and Spatial Audio technologies.
The consortium includes musicologists (ICCMU, MMMO, UOXF), a musical organisation (AHECG), an orchestra (LNP), and a company focused on early music (ODRATEK). Its members have been previously awarded funding by the EC for RIA projects (TUNI, POLIMI, ICCMU, UOXF), UJA has experience in coordinating H2020 projects. It is composed of a balanced combination of research participants and industrial / commercial partners, from 8 European countries (4 universities, 2 RTOs, 2 NGOs, 1 orchestra and 3 companies in the music sector).
REPERTORIUM aims to: 1) to provide a technological platform for curating databases of mediaeval and classical European art-music works, linked to other relevant existing databases around the world and fed by automated manuscript digitisation and music information retrieval techniques based on Artificial Intelligence (AI); and, 2) leveraging the above technology to create state-of-the-art audio recording and instrument separation technologies (AI-based, stochastic signal processing, and ambisonics spatial audio) targeted at music education institutions (conservatories), professionals (musicians and orchestras) and the public (streaming services).
Combining a novel digitisation tool that leverages AI and Deep Learning solutions to perform Optical Music Recognition and Music Information Retrieval across multiple music datasets opens valuable solutions to problems affecting music businesses while efficiently preserving and rendering accessible European musical heritage. Thus, it is possible to provide cost-effective solutions for immersive streaming and virtual reality experiences by leveraging Sound Source Separation and Spatial Audio technologies.
The consortium includes musicologists (ICCMU, MMMO, UOXF), a musical organisation (AHECG), an orchestra (LNP), and a company focused on early music (ODRATEK). Its members have been previously awarded funding by the EC for RIA projects (TUNI, POLIMI, ICCMU, UOXF), UJA has experience in coordinating H2020 projects. It is composed of a balanced combination of research participants and industrial / commercial partners, from 8 European countries (4 universities, 2 RTOs, 2 NGOs, 1 orchestra and 3 companies in the music sector).
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More information & hyperlinks
| Web resources: | https://cordis.europa.eu/project/id/101095065 |
| Start date: | 01-01-2023 |
| End date: | 31-12-2025 |
| Total budget - Public funding: | 2 493 650,50 Euro - 2 493 650,00 Euro |
Cordis data
Original description
Music, as one of the most preeminent European artforms that has impacted worldwide cultural heritage, has an intrinsic value enriching our lives. However, music manuscripts frequently remain private, unshown, or unexploited because they are only available as printed or handwritten in local archives.REPERTORIUM aims to: 1) to provide a technological platform for curating databases of mediaeval and classical European art-music works, linked to other relevant existing databases around the world and fed by automated manuscript digitisation and music information retrieval techniques based on Artificial Intelligence (AI); and, 2) leveraging the above technology to create state-of-the-art audio recording and instrument separation technologies (AI-based, stochastic signal processing, and ambisonics spatial audio) targeted at music education institutions (conservatories), professionals (musicians and orchestras) and the public (streaming services).
Combining a novel digitisation tool that leverages AI and Deep Learning solutions to perform Optical Music Recognition and Music Information Retrieval across multiple music datasets opens valuable solutions to problems affecting music businesses while efficiently preserving and rendering accessible European musical heritage. Thus, it is possible to provide cost-effective solutions for immersive streaming and virtual reality experiences by leveraging Sound Source Separation and Spatial Audio technologies.
The consortium includes musicologists (ICCMU, MMMO, UOXF), a musical organisation (AHECG), an orchestra (LNP), and a company focused on early music (ODRATEK). Its members have been previously awarded funding by the EC for RIA projects (TUNI, POLIMI, ICCMU, UOXF), UJA has experience in coordinating H2020 projects. It is composed of a balanced combination of research participants and industrial / commercial partners, from 8 European countries (4 universities, 2 RTOs, 2 NGOs, 1 orchestra and 3 companies in the music sector).
Status
SIGNEDCall topic
HORIZON-CL2-2022-HERITAGE-01-02Update Date
09-02-2023
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Organisations
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| UNIVERSIDAD DE JAEN (Coördinator)
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| ASOCIACION HISPANA PARA EL ESTUDIO DEL CANTO GREGORIANO AHISECGRE
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| INSTITUTO COMPLUTENSE DE CIENCIAS MUSICALES
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| KONCERTINE ISTAIGA LIETUVOS NACIONALINE FILHARMONIJA
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| MUSICOLOGIE MEDIEVALE
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| ODRATEK B.V.
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| Politecnico di Milano
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| SPORK DIGITAL LIMITED
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| TAMPEREEN KORKEAKOULUSAATIO SR
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| THE CHANCELLOR, MASTERS AND SCHOLARS OF THE UNIVERSITY OF OXFORD
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| UNIVERSIDAD COMPLUTENSE DE MADRID (UCM)
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| UNIVERSIDAD DE ALICANTE
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| VIST.CO KULTURMANAGEMENT GMBH