Summary
Coloniality is known as the “darker side” of modernity. It operates as a pattern of power implanted during the historical processes of colonization, although still in force through mechanisms and relations of domination and dependency, such as: center-periphery or non-cultural/civilized. Women from the Global South stand on the margins of modern-colonial standards of being, abbreviated in a state of primitivism. This proposal approaches the audiovisual training of subaltern women in Mexico, Ecuador, and Guatemala, to offer a decolonial pedagogical model that builds paths for inclusive education and adds to the sustainability of the Latin American audiovisual sectors. It applies a qualitative methodology through the notion of situated-knowledge, by retrieving the training experiences of indigeoenous and Afro-descendant community filmmakers and audiovisual media students; likewise, with the purpose of identifying the modern-colonial-gender factors that intervene in their education and further integration into the industry. Thereby, it contributes to theoretical and methodological gaps from an intercultural/transmodern standpoint.
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More information & hyperlinks
| Web resources: | https://cordis.europa.eu/project/id/101110461 |
| Start date: | 22-01-2024 |
| End date: | 21-01-2026 |
| Total budget - Public funding: | - 181 152,00 Euro |
Cordis data
Original description
Coloniality is known as the “darker side” of modernity. It operates as a pattern of power implanted during the historical processes of colonization, although still in force through mechanisms and relations of domination and dependency, such as: center-periphery or non-cultural/civilized. Women from the Global South stand on the margins of modern-colonial standards of being, abbreviated in a state of primitivism. This proposal approaches the audiovisual training of subaltern women in Mexico, Ecuador, and Guatemala, to offer a decolonial pedagogical model that builds paths for inclusive education and adds to the sustainability of the Latin American audiovisual sectors. It applies a qualitative methodology through the notion of situated-knowledge, by retrieving the training experiences of indigeoenous and Afro-descendant community filmmakers and audiovisual media students; likewise, with the purpose of identifying the modern-colonial-gender factors that intervene in their education and further integration into the industry. Thereby, it contributes to theoretical and methodological gaps from an intercultural/transmodern standpoint.Status
SIGNEDCall topic
HORIZON-MSCA-2022-PF-01-01Update Date
12-03-2024
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