Summary
ArmEn seeks to establish a new framework for studying the southern Caucasus, eastern Anatolia and northern Mesopotamia (CAM) as a space of cultural entanglements between the 9th to 14th centuries. It argues that this region is key to understanding the history of medieval Eurasia but has so far been completely neglected by the burgeoning field of Global Middle Ages. The CAM was on the crossroads of expanding Eurasian empires and population movements, but was removed from major hubs of power. Poly-centrism; political, ethno-linguistic, and religious heterogeneity; frequently shifting hegemonic hierarchies were key aspects of its, nevertheless, inter-connected landscape. This fluidity and complexity left its mark on the cultural products – textual and material – created in the CAM. ArmEn aims to trace shared features in the multi-lingual textual and artistic production of CAM and correlate them to the circulation of ideas and concepts, as well as to real-life interactions, between multiple groups, identifying the locations and agents of entanglements. The large but under-utilised body of Armenian sources to be explored together with those in Arabic, Georgian, Greek, Persian, Syriac, and Turkish, will illuminate cultural entanglements between Muslim and Christian Arabs, Byzantines, Syriac Christians, Georgians, Caucasian Albanians, Turko-Muslim dynasties, Kurds, Iranians, Western Europeans, and Mongols, that inhabited, conquered, or passed through and produced cultural goods in CAM. Evidence from manuscript illuminations and numismatics will provide a material cultural dimension to the analysis. ArmEn will create a trans-cultural vision of the CAM, bridging area studies into a unifying framework, bringing together various disciplinary approaches (philology, literary criticism, religious studies, art history, numismatics, etc.), to build a narrative synthesis in which the dynamics of cross-cultural entanglements in the CAM emerge in their spatial and temporal dimensions.
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More information & hyperlinks
| Web resources: | https://cordis.europa.eu/project/id/865067 |
| Start date: | 01-10-2020 |
| End date: | 30-09-2026 |
| Total budget - Public funding: | 1 999 994,00 Euro - 1 999 994,00 Euro |
Cordis data
Original description
ArmEn seeks to establish a new framework for studying the southern Caucasus, eastern Anatolia and northern Mesopotamia (CAM) as a space of cultural entanglements between the 9th to 14th centuries. It argues that this region is key to understanding the history of medieval Eurasia but has so far been completely neglected by the burgeoning field of Global Middle Ages. The CAM was on the crossroads of expanding Eurasian empires and population movements, but was removed from major hubs of power. Poly-centrism; political, ethno-linguistic, and religious heterogeneity; frequently shifting hegemonic hierarchies were key aspects of its, nevertheless, inter-connected landscape. This fluidity and complexity left its mark on the cultural products – textual and material – created in the CAM. ArmEn aims to trace shared features in the multi-lingual textual and artistic production of CAM and correlate them to the circulation of ideas and concepts, as well as to real-life interactions, between multiple groups, identifying the locations and agents of entanglements. The large but under-utilised body of Armenian sources to be explored together with those in Arabic, Georgian, Greek, Persian, Syriac, and Turkish, will illuminate cultural entanglements between Muslim and Christian Arabs, Byzantines, Syriac Christians, Georgians, Caucasian Albanians, Turko-Muslim dynasties, Kurds, Iranians, Western Europeans, and Mongols, that inhabited, conquered, or passed through and produced cultural goods in CAM. Evidence from manuscript illuminations and numismatics will provide a material cultural dimension to the analysis. ArmEn will create a trans-cultural vision of the CAM, bridging area studies into a unifying framework, bringing together various disciplinary approaches (philology, literary criticism, religious studies, art history, numismatics, etc.), to build a narrative synthesis in which the dynamics of cross-cultural entanglements in the CAM emerge in their spatial and temporal dimensions.Status
SIGNEDCall topic
ERC-2019-COGUpdate Date
27-04-2024
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