Summary
The MOVING project is aimed at developing an ethnographic and multi-disciplinary methodology to study the bodily traces of Africa-originated slavery enduring in post-slavery and diasporic contexts. The project is rooted in an anthropology of the memories of slavery that the PI has been conducting mainly in Colombia for the past fifteen years, and in her previous work on bodies, senses, emotions and nationalism in India. As importantly, the PI is a certified practitioner of a conscious, embodied movement methodology which she has been integrating into her academic practice, as field researcher and in teaching and supervision.
Taking research into new theoretical and methodological directions, the project focuses on people’s bodies and moves, and the individual and social transformative potential of the movement of emotions and memories through that of bodies. The project seeks to explore conditions of possibility for people who do not necessarily self-identify as ‘Afro-descendants’, despite their African heritage, to reclaim their history and transform their relation to it through body-based and artistic practices. The project also investigates whether the chronology of events pertaining to the abolition of slavery may account for significant differences in the ways the latter’s legacy has been acknowledged, or not.
MOVING will adopt a comparative focus on three countries, i.e. Brazil, Chile and Colombia, while pioneering a methodology combining three types of research: ‘classic academic’ documenting the legacy and contemporary memories and experiences of Africa-originated slavery, and the renewal of Africa-related modes of reconnecting with this African legacy through everyday bodily ways; ‘experimental’ and ‘arts-based creative’, with scholars of body-based practices, somatic practitioners and artists; and ‘action-oriented’ involving social participation of citizen scientists and wider society.
Taking research into new theoretical and methodological directions, the project focuses on people’s bodies and moves, and the individual and social transformative potential of the movement of emotions and memories through that of bodies. The project seeks to explore conditions of possibility for people who do not necessarily self-identify as ‘Afro-descendants’, despite their African heritage, to reclaim their history and transform their relation to it through body-based and artistic practices. The project also investigates whether the chronology of events pertaining to the abolition of slavery may account for significant differences in the ways the latter’s legacy has been acknowledged, or not.
MOVING will adopt a comparative focus on three countries, i.e. Brazil, Chile and Colombia, while pioneering a methodology combining three types of research: ‘classic academic’ documenting the legacy and contemporary memories and experiences of Africa-originated slavery, and the renewal of Africa-related modes of reconnecting with this African legacy through everyday bodily ways; ‘experimental’ and ‘arts-based creative’, with scholars of body-based practices, somatic practitioners and artists; and ‘action-oriented’ involving social participation of citizen scientists and wider society.
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More information & hyperlinks
| Web resources: | https://cordis.europa.eu/project/id/101142048 |
| Start date: | 01-01-2025 |
| End date: | 31-12-2029 |
| Total budget - Public funding: | 2 499 958,00 Euro - 2 499 958,00 Euro |
Cordis data
Original description
The MOVING project is aimed at developing an ethnographic and multi-disciplinary methodology to study the bodily traces of Africa-originated slavery enduring in post-slavery and diasporic contexts. The project is rooted in an anthropology of the memories of slavery that the PI has been conducting mainly in Colombia for the past fifteen years, and in her previous work on bodies, senses, emotions and nationalism in India. As importantly, the PI is a certified practitioner of a conscious, embodied movement methodology which she has been integrating into her academic practice, as field researcher and in teaching and supervision.Taking research into new theoretical and methodological directions, the project focuses on people’s bodies and moves, and the individual and social transformative potential of the movement of emotions and memories through that of bodies. The project seeks to explore conditions of possibility for people who do not necessarily self-identify as ‘Afro-descendants’, despite their African heritage, to reclaim their history and transform their relation to it through body-based and artistic practices. The project also investigates whether the chronology of events pertaining to the abolition of slavery may account for significant differences in the ways the latter’s legacy has been acknowledged, or not.
MOVING will adopt a comparative focus on three countries, i.e. Brazil, Chile and Colombia, while pioneering a methodology combining three types of research: ‘classic academic’ documenting the legacy and contemporary memories and experiences of Africa-originated slavery, and the renewal of Africa-related modes of reconnecting with this African legacy through everyday bodily ways; ‘experimental’ and ‘arts-based creative’, with scholars of body-based practices, somatic practitioners and artists; and ‘action-oriented’ involving social participation of citizen scientists and wider society.
Status
SIGNEDCall topic
ERC-2023-ADGUpdate Date
26-11-2024
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