Periodic Reporting for period 1 - COMPHIL (Composing Philosophy: Amateurism and Aesthetics in Twentieth- and Twenty-First-Century Music)

Summary
Since around 1900, composers of classical music have regularly mined well-known philosophical texts for compositional material: in other words, they have “composed philosophy.” Starting with an explosion of settings and other musical adaptations of Friedrich Nietzsche’s...
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